
Extinct: Long socks + short trousers.


Living: The moccasin, made of deerskin, sewn
with deer gut, useful for curbing the deer population.
of Dakota Sioux Lucille by Edward S. Curtis.

Naturally the Romans got there first.
"Bikini Mosaic", Sicily, c. 325 AD.

Living: Seersucker, a Muslim fabric known
over there as "shir o shekar" (milk and sugar).

Living: "His" mugs, a new range of butch



Living: The Teddy
bear, born in 1902 from
violent beginnings (Teddy R + bear + gun +
brief moment of compassion). Photographs
of Pooh Bear and friend by Marcus Adams.



Textile, fashion, theatre designer and painter.


The flat top was designed for carrying
cargo, the brim a catch-all for guts.
Photograph by Bill Brandt.

'Rhythm' by Sonia Delaunay, 1938

'Sea = Dancer' by Gino Severini, 1914

Living:
Missoni, Italy, est. 1958. A family-owned
textile, fashion, home decoration and interior design
company which takes its inspiration from European
Modernist painters of the 20th century.

Lights from Peter Jones department store

'Expresso Bongo' chic illuminated sign

'Reindeer' hooks from the Savoy Hotel

Living: Biedermeier wallpaper, revived
'Morgenstern' (Morning Star), 1827.

4000 years by manly men (and ladylike ladies).
Detail from The Spanish Singer, by Manet.


Living: The scarecrow. Once live children
did the job by clapping blocks of wood, but
post-Black Death there was a shortage,
so the dandy on a stick was born.



Living: Harrow School head gear

Living: Weejuns, as in Norwegians, as in the country
from whence they sprung. Made in America by
G. H. Bass in 1934. Photograph by Dick Avery at Quality magazine.

Living: White bucks. An American
ancient industry, about 100 years old.
Photograph from the NYT, via ACL.

Living: The Flapper. Conceived during the Great
War and born during Prohibition, the corset-less
flapper flits about still, in many & various guises.
Illustration by J. C. Leyendecker, 1922.


by Gerald Holtom for the CND, its shape was partly
inspired by The Third of May 1808, by Francisco Goya.


with traditional design & typography.

"It takes us to a place where we ache to go again."
—Don Draper



Living: The Machin Definitive. Inspired by Penny Black, it remains unchanged since
its introduction in 1967 (Ma'am's wishes).
contributors
Reed Wilson, Kendra Wilson